Academy Awards, USA 1974: The Way We Were won Oscars for:
Oscar Best Music, Original Song: Marvin Hamlisch (music), Alan Bergman (lyrics), Marilyn Bergman (lyrics) For the song “The Way We Were”.
Best Music, Original Dramatic Score: Marvin Hamlisch
The film was Nominated for:
Oscar Best Actress in a Leading Role: Barbra Streisand
Best Cinematography: Harry Stradling Jr.
Best Art Direction-Set Decoration: Stephen B. Grimes, William Kiernan
Best Costume Design: Dorothy Jeakins, Moss Mabry
The Film: “Opposites attract when, during their college days, Katie Morosky (Barbra Streisand), a politically active Jew, meets Hubbell Gardiner (Robert Redford), a feckless WASP. Years later, in the wake of World War II, they meet again and, despite their obvious differences, marry. Hubbell wants to be a screenwriter, so the two move to California despite Katie’s objections. They prosper there, but as the Hollywood blacklist looms, Katie’s activism threatens her husband’s reputation.”
The film won Academy awards for:
Best Original Dramatic Score (Marvin Hamlisch)
Best Original Song for “The Way We Were (Music: Marvin Hamlisch. Lyrics: Alan and Marilyn Bergman
The Way We Were is a 1973 American romantic drama film, starring Barbra Streisand and Robert Redford, and directed by Sydney Pollack. The screenplay by Arthur Laurents was based on his college days at Cornell University and his experiences with the House Un-American Activities Committee.
A box office success, the film was nominated for several awards and won the Academy Award for Best Original Dramatic Score and Best Original Song for “The Way We Were“. The soundtrack recording charted for 23 weeks on the Billboard Hot 100 and eventually sold in excess of one million copies.
Watch Video Trailer:
Directed by: Sydney Pollack
Produced by: Ray Stark
Written by: Arthur Laurents
Starring: Barbra Streisand &
Music by: Marvin Hamlisch
Cinematography: Harry Stradling, Jr.
Edited by: John F. Burnett
Margaret Booth (supervising)
Production company: Rastar
Distributed by: Columbia Pictures
Release dates: October 19, 1973
Running time: 118 minutes
VIDEO. SONG: THE WAY WE WERE – Rendition by Beyonce Knowles during tribute to Barbra Streisand – The Kennedy Center Honors. The Music of Marvin Hamlisch:
Awards and nominations
Best Music (Original Dramatic
Score) Marvin Hamlisch
Best Music (Song) Marvin Hamlisch,
Alan Bergman, and Marilyn
Bergman for “The Way We Were”
Best Actress in a Leading Role Barbra
Best Art Direction Stephen B. Grimes
and William Kiernan
Best Cinematography Harry Stradling
Best Costume Design Dorothy Jeakins
and Moss Mabry
Best Actress in a Leading Role Barbra
David di Donatello Awards:
Best Foreign Actress (Barbra
Streisand, winner; tie with Tatum
O’Neal for Paper Moon)
Best Original Song (Marvin Hamlisch,
Alan Bergman, and Marilyn Bergman
for “The Way We Were,” winner)
Best Actress – Motion Picture Drama
(Barbra Streisand, nominee)
Best Original Score Written for a
Motion Picture or a Television Special
(Marvin Hamlisch, winner)
Writers Guild of America Awards:
Best Original Screenplay (Arthur
Notes from Composer Marvin Hamlisch about the film “The Way We Were” and his musical score for this film:
When Ray Stark said to me: “Marvin, I’m working on a new picture which needs a theme song. I think this is up your alley, and I’d like to give you a chance, he didn’t tell me till the end of the conversation that the director was Sydney Pollack, the stars were Barbra Streisand and Robert Redford, and the movie was The Way We Were. For this I would certainly work “on spec,” and I must confess that I sensed from the beginning that this was going to be my watershed in the movies.
I couldn’t wait to get to the piano, and I put in weeks and weeks of struggle to find the right theme. How many The Way We Were’s there were, I cannot tell you. Unlike Juilliard, where a jury of three decided whether I would maintain my scholarship, here there was a jury of one. Never was there a more harsh critic of my work than me.
In the musical score for this film, and the theme song, I wanted to reflect the sorrow and despondency and pain of the relationship and its outcome, the frustration and yearning of the woman in the relationship, and the star-crossed nature of it all. And Although this song would reflect a heartbreaking story, I decided to write it in the major mode, not in the minor mode. By doing this, I tried to give a sense of hope to this tragic story.
You may wonder how I knew when I’d written the “right” melody. I can only say that one day I wrote a melody that just got to me. I can’t give you a musical explanation of why one melody is better than another-I either respond or I don’t. The years of theory and harmony at Juilliard can take you just so far. One’s response is not rational or technical. It goes beyond that. When I feel the emotional tug, when I react the way I hope the audience will, then I know I’ve got it. – Marvin Hamlisch (1944-2012) E-Book “THE WAY I WAS” – BUY THIS BOOK
VIDEO: Excerpts from Musical Score:
VIDEO: Excerpts from Musical Score – The Way We Were (1973)