Chicago Daily Herald: Playing his song PBS ‘American Masters’ pays tribute to Marvin Hamlisch

CHICAGO, IL — Think of Marvin Hamlisch, and it’s impossible not to recall many of the most memorable film and stage melodies of the past 40‐plus years.

Courtesy Reminder:Film airs on PBS 12/27 9/8c

The late, hugely personable talent and very rare PEGOT — winner of a Pulitzer Prize, four Emmy Awards, four Grammys, three Oscars and a Tony — composed some artists’ biggest hits, such as Barbra Streisand’s “The Way We Were” and Carly Simon’s “Nobody Does It Better” (from the James Bond movie “The Spy Who Loved Me”), and refitted Scott Joplin’s ragtime sounds for “The Sting.” Hamlisch also gave Broadway the hits “A Chorus Line” and “They’re Playing Our Song” and kept at his craft to the end, scoring the HBO drama “Behind the Candelabra” just before his passing in August 2012.

PBS American Masters

The PBS seriesAmerican Masters” ends its 27th season with producer‐director‐writer Dori Berinstein’s documentary Marvin Hamlisch: What He Did for Love” Friday, Dec. 27 9/8C. The music master tells much of his own story via clips from interviews. Friends, relatives and associates comment as well, with Streisand, Simon, Lucie Arnaz, John Lithgow, Ann‐Margret, Steven Soderbergh, baseball veteran Joe Torre, and lyricists Carole Bayer Sager and Alan and Marilyn Bergman among those seen.

Also featured is his wife of nearly 23 years.

Filmmaker Steven Soderbergh, Terre Blair Hamlisch, and actor John Lithgow attend 'The Paley Center For Media Presents: The Music And Life Of Marvin Hamlisch' at Paley Center For Media on March 18, 2013 in New York City. (Source: Stephen Lovekin/Getty Images North America)

Filmmaker Steven Soderbergh, Terre Blair Hamlisch, and actor John Lithgow attend ‘The Paley Center For Media Presents: The Music And Life Of Marvin Hamlisch’ at Paley Center For Media on March 18, 2013 in New York City. (Source: Stephen Lovekin/Getty Images North America)

One of the things that’s quite impressive about this,” Blair Hamlisch says, “is how many people wanted to do it for Marvin, which is a testament to the love and respect that people have for him.

Several themes come out in it,” Blair Hamlisch notes of the program, “and one is his genius. He was a child prodigy. I think it also comes out how generous he was … the most generous person I’ve ever met and probably ever will. Right before he died, he said to me in the car, ‘I wonder if people know I don’t say “no.” I never say “no” unless there’s a scheduling conflict.’ It sort of left me speechless, but I realized that over all these years, that’s exactly what he did. He was always helping people.”

And it’s been reaffirmed to Blair Hamlisch at unexpected times. “I used to get taxis in the city (New York),” she says, “and I’d be told, ‘Do you know he gave me money for my child’s operation?’ Or ‘He found a doctor for us.’ He paid many people’s hospital bills, and he’d walk older ladies to the parking lot after concerts if they were afraid. And he always went to the National Institutes of Health at the holidays to perform for the families of patients who were terminally ill. It goes on and on, and what was surprising even to me was the depth and the extent to which he did it.”

Susan Lacy, Lucie Arnaz, Terre Blair-Hamlisch and Director Dori Berinstein

Susan Lacy, Lucie Arnaz, Terre Blair‐Hamlisch and Director Dori Berinstein

Not only was Lucie Arnaz close to Hamlisch personally, but he also helped furnish her Broadway debut by scoring the Neil Simon-written musical “They’re Playing Our Song,” inspired by Hamlisch’s earlier relationship with Sager (who wrote the lyrics for the show’s songs). Arnaz says: “I love documentaries, and I made one (‘Lucy and Desi: A Home Movie,’ a portrait of her showbiz legend parents) without ever knowing how. It’s hard to ride the fine line so that it doesn’t just sound like you’re over‐the‐top paying tribute to somebody, which can get kind of dull. You have to get to the truth about a person’s life, no matter how fabulous they were, and this has all that in there. It makes you cry, it makes you laugh, and it’s totally Marvin.

The important thing about making a piece like this,” Arnaz continues, “is to show other people that even the most brilliant geniuses walking among us have had moments where they doubted they could ever do anything good again. Marvin had a lot of times like that; the business was changing, but — and I don’t say this lightly — he was extraordinarily talented. He was scary‐smart as far as music goes. His facility to come up with things immediately was frightening to me sometimes.”

Both Arnaz and Blair Hamlisch recall Hamlisch’s disappointment that his 2002 stage musical version of the classic gossip columnist movie drama “Sweet Smell of Success” wasn’t better received, though star Lithgow earned a Tony for it. “It didn’t get its fair shake,” Arnaz reflects. “We weren’t ready for it, but some of Marvin’s best music is in it.” (A (His Musical Score for Sweet Smell of Success is a masterpiece.)

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Discussing the man she calls “not only my husband but my best friend,” Blair Hamlisch remembers her spouse as “bigger than life. No matter how sad I would get, he would laugh me out of it, so it was inevitable that he had the ability to transcend people’s moods by giving them the joy of music. And his ability to relate to people made that even more profound.

His brain was quicker than lightning, and I think sometimes, he needed patience for all of us to catch up. I was lucky to be married to a genius … and a bighearted one at that.”

Source: Jay Bobbin 22 December 2013 Chicago Daily Herald